Misshapen Chaos of Well-Seeming Forms, 2022. Photo by Elliott Mickleburgh.
Misshapen Chaos of Well-Seeming Forms (Detail), 2022. Photo by Elliott Mickleburgh.
Misshapen Chaos of Well-Seeming Forms, 2022. Photo by Elliott Mickleburgh, with thanks to Won.
The Clay-Kicker, 2022. Photo by Elliott Mickleburgh.
The Clay-Kicker, 2022. Photo by Elliott Mickleburgh.
The Vitality of Recklessness (Venerated Flag), 2022. Photo by Elliott Mickleburgh.
Alas, that love, so gentle in his view, Should be so tyrannous and rough in proof!, 2022. Photo by Elliott Mickleburgh.
Relics of the youth, 2022. Photo by Elliott Mickleburgh.
Relics of the youth (detail), 2022. Photo by Elliott Mickleburgh.
Relics of the youth (detail), 2022. Photo by Elliott Mickleburgh.
Relics of the youth (detail), 2022. Photo by Elliott Mickleburgh.
Relics of the youth (detail), 2022. Photo by Elliott Mickleburgh.
ETERNAL SHROUD, 2022. Photo by Elliott Mickleburgh.
ETERNAL SHROUD (detail), 2022. Photo by Elliott Mickleburgh.
Untethered Dreams, 2022, Photo by Elliott Mickleburgh.
Untethered Dreams (detail), 2022, Photo by Elliott Mickleburgh.
I want to be me, I want to be free. (Freedom Flag), 2022. Photo by Elliott Mickleburgh.
I want to be me, I want to be free. (Freedom Flag)(detail), 2022. Photo by Elliott Mickleburgh.
Time & Love, 2021, mixed media installation as part of Love Strata, Lychee One, dimensions variable. Photo courtesy of the artist.
Time & Love, 2021, mixed media installation as part of Love Strata, Lychee One, dimensions variable. Photo by Joe Beeching
The Carpet Merchants, 2021, site-specific, mixed-media installation. Photo by Luc Schol.
The Carpet Merchants, 2021, site-specific, mixed-media installation. Photo by Luc Schol.
The Carpet Merchants, 2021, site-specific, mixed-media installation. Photo by Luc Schol.
The Gleaners and I, 2021, site-specific installation, dimensions variable. Photo by Richard Ivey
© 2023 Alex Lewis