Misshapen Chaos of Well-Seeming Forms, 2022. Photo by Elliott Mickleburgh.
Misshapen Chaos of Well-Seeming Forms (Detail), 2022. Photo by Elliott Mickleburgh.
Misshapen Chaos of Well-Seeming Forms, 2022. Photo by Elliott Mickleburgh, with thanks to Won.
The Clay-Kicker, 2022. Photo by Elliott Mickleburgh.
The Clay-Kicker, 2022. Photo by Elliott Mickleburgh.
The Vitality of Recklessness (Venerated Flag), 2022. Photo by Elliott Mickleburgh.
Alas, that love, so gentle in his view, Should be so tyrannous and rough in proof!, 2022. Photo by Elliott Mickleburgh.
Time & Love, 2021, mixed media installation as part of Love Strata, Lychee One, dimensions variable. Photo courtesy of the artist.
The Carpet Merchants, 2021, site-specific, mixed-media installation. Photo by Luc Schol.
The Carpet Merchants, 2021, site-specific, mixed-media installation. Photo by Luc Schol.
The Carpet Merchants, 2021, site-specific, mixed-media installation. Photo by Luc Schol.
The Gleaners and I, 2021, site-specific installation, dimensions variable. Photo by Richard Ivey
The Lost Art of Storytelling: Knightsbridge Carpet Emporium, 2021, site-specific, mixed-media installation. Photo by Luc Schol.
Red Rug, Saatchi Gallery, 180 x 150 cm, photo by Siqi Li
Rug, 2021, Alkyd oil paint, footprints, floorboard rubbings and residue on unwoven canvas, 200 x 120 cm. Photo courtesy of the artist.
Palimpsest (Italia), 2021, Tuscan clay, oil stick, oil paint on Italian rug, 150 x 120 cm. Photo courtesy of the artist.
Abject Market, 2020, mixed-media installation, 220 x 180 x 10 cm. Photo by Cat Garcia.
Ragpicker's Wine, 2020, site specific installation, 250 x 150 x 200 cm. Photo by Cat Garcia.
Palimpsests, 2021, Tuscan clay, oil paint, oil stick, oil pastel and spray paint on linen curtains.
Drop Cloth (Palimpsest), 2018-2021, Oil paint and paint residues on drop cloth. Photo by Max Jones
© 2023 Alex Lewis